Artist Statement

I use science to explain life and art to fill in the blanks. The pieces arrive and I deconstruct them abstractly by using traditional philosophy, psychology and physics; then they get built up again by faith.

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Refrence is key:

Ancient Celtic religion; Ancient Egypt religion; Bardo Thödol; Deism; Daoism; Islamic Djinns; Laestadianism; Norse mythology; Pantheism; Sefirot (from the Kabbalah, emanation); Quran; Zen,

Simone de Bevoir; William Blake; Joseph Campbell; C.G. Jung (concept of how reality operates); Deleuze (simulacra); George Gurdjieff; Donna Haraway; David Hume; Kant (á priori and forms); John Locke; Christian Rosenkreuz; Peter Singer; Emanuel Swedenborg; Alan Watts,

Arte Povera; Janine Antoni; Ivana Bašić; Ingemar Bergman; Joseph Beuys; Agnes Denes; Martin Creed; Duchamp; Jason Dodge; Peter Doig; Andreas Eriksson; Isa Genzken; van Gogh; Dan Graham; Hilma af Klimt; Leonardo; David Lynch; Agnes Martin; Marisa Merz; Michelangelo; Alan Moore; Monet; Raphael; Nina Roos; Hito Steyerl; Haegue Yang; Christine Ödlund.